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'"Most families have a skeleton or two in their closet. Few, however, can have jumped out in quite such shocking style as Frances Osborne's great grandmother..." -

Allison Pearson on The Bolter
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The Bolter BY FRANCES OSBORNE

The Bolter: Idina Sackville – the woman who scandalised 1920’s society and became White Mischief’s infamous seductress.

On Friday 25th May, 1934, a forty-one-year-old woman walked into the lobby of Claridge’s Hotel in London’s Mayfair to meet the nineteen-year-old son whose face she did not know. Just over fifteen years earlier, as the First World War ended, Idina Sackville had shocked high society by leaving his multimillionaire father at Victoria Station to run off to Africa with a near penniless man. Now, three more husbands later, she was back to help the son whom she had been banned from seeing . . .

Inspiration for Nancy Mitford's character The Bolter, painted by William Orpen, a muse for the fashion designer Molyneux and photographed by Cecil Beaton, Sackville went on to divorce a total of five times, yet died with a photograph of her first love by her bed. Her struggle to reinvent her life with each new marriage left one husband murdered and branded her the ‘high priestess’ of White Mischief’s bed-hopping Happy Valley in Kenya. She became renowned for her powers as a seductress and was rumoured to have had ‘lovers without number’.

And at the age of thirteen, I opened the newspaper one morning to discover that Idina was my mother’s grandmother. Since then I have been fascinated by what drove her to leave a man and children she still loved, how her life then spiralled into marital mayhem, and what happened when she returned to the children she had left behind. Four years ago I opened a tin chest containing the diaries of that first husband, my great grandfather, the single surviving diary of the nineteen year-old son  that Idina came back to see, who was my grandfather, and two bulging battered briefcases of family letters, legal documents and photographs...

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Woman's Hour Feature

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The Andrew Marr Show

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The Bolter read by Rosamund Pike

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Filmed Interview with Frances, Hay 2008 - click here

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Reviews added August 09:

Truly interesting. Osborne paints an enthralling portrait of upper class English life just before, during and immediately after the Great War. Frivolous, rich, sexy, achingly fashionable… [Idina was] a tragic figure of a young woman whose life was broken by the catastrophes of 1914-18..’ Robert McCrum, Observer

‘This is a truly astonishing book. Frances Osborne has not just brought to life a dizzingly rich and scandalous slice of social history, she has produced a tragic and deeply moving tale as well. It is far more gripping than any novel I have read for years’ Antony Beevor

‘A wonderfully engaging book which combines the tingling immediacy of the best kind of history with the stay-up-till-3am-to-finish-it urgency of a bestseller.’ Allison Pearson, Daily Mail

'The Bolter is a corker of a subject. Idina's behaviour was out of Vile Bodies, the stuff of fiction: she became “Iris Storm” in Michael Arlen's novel The Green Hat; and probably inspired “The Bolter” in Nancy Mitford's The Pursuit of Love. Osborne's richly wrought descriptions (of glittering Paris nights and lush mountainous landscapes of Kenya's Happy Valley) are fabulous...a breakneck-paced, thoroughly diverting story.' Valerie Grove, The Times

‘Passionate and headstrong, Lady Idina was determined to be free even if the cost was scandal and ruin. Frances Osborne has brilliantly captured not only one woman's life but an entire lost society.’ Amanda Foreman

'Frances Osborne writes in a warm, sympathetic and engrossing way, evoking in well-chosen detail the razzmatazz of the very rich.’ Kate McCloughlin, Times Literary Supplement

‘The Bolter is a biographical treat’ Kerry Fowler, Good Housekeeping

‘Osborne is a graceful writer, excellent at evoking the atmosphere of London during the First World War and Happy Valley in the Twenties. Her judgement is pitch-perfect, never letting Idina off the hook but at the same time sympathetic towards her, and she skilfully captures the myriad twists and turns of a turbulent life.’ Christopher Silvester, Daily Express

‘Frances Osborne has produced a racy romp underpinned by some impressive research. She understands the period and the world she describe: she is excellent, for instance, on young upper-class society around 1914; on Paris during the First World War; and on the life and landscape of British Kenya in the 1920s and 1930s.’ Selina Hastings, Sunday Telegraph

‘Idina Sackville's story is a parable of the 20th century...Osborne tells this tragicomedy of the Jazz Age with wit and style...and has written an enthralling account of a dazzling troubled life.’ Julian Fellowes, Daily Mail

'From the opening scene in Claridge’s Hotel in the mid-1930’s, it is possible to forget that The Bolter is non-fiction, as the heady pace and richness of detail propel the reader through each sensational and increasingly tragic phase of Idina’s life.' Juliet Nicolson, Evening Standard.

‘An engaging book and a definitive final look back at those naughty people who, between the wars, took their bad behaviour off to Kenya and whose upper-class delinquency became gilded with unjustified glamour.’ Alexandra Fuller, Financial Times

‘A bewitching character brilliantly painted’ Easy Living

'A superb portrait of an astonishing woman and her times.’ WBQ

‘Osborne is an imaginative scene painter… Idina wasn’t admirable, but Osborne makes us sympathise with her.’ Marianne Brace, Independent

‘Frances Osborne unearths the moving truth behind the headlines. It’s a melancholy, vivid portrait of a list lady and her troubled world. 4 Stars’ Marie Claire

‘This biography tells the truth (and the heartache) behind the woman who scandalised upper-class England.’ Elle

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